Category Archives: Opera

Drop Bear – Behind the Scenes (2012)

www.facebook.com www.twitter.com Exploring behind the scenes on the set of Drop Bear, as well as an update on the current progress of the film. Starring Kelsie McDonald Nathan Wright Julie Dickson Jason McKell Jessica Tindall Lennard Smith Director of Photography Lucas Scheffel/ Scheffilm Productions Camera Operators Bryce Bowen Matthew Poidevin Camera Assistant Matthew Poidevin Ben Stoddart Sound Recordist Elizabeth Duong Melinda Dimond Boom Swingers Jessica Tindall Photography Lauren Alice Makeup Artists Emma Lucas/ Emma Bianca Makeup Jenny Banks Alex Ellis Production Assistants Dylan McCartney Ellie Gale Sponsored by Neurum Creek Bush Retreat Special Thanks Nick Getley “Drop Bear” follows a group of students on a school camp into the bush. Adam, a young spirit who loves the thrill of breaking the rules and exploring new places sneaks away from the camp early one morning to find adventure. This results in straining the relationship with his slightly less adventurous girlfriend Melissa, but also attracts the spontaneous and somewhat alluring Scarlett. Whilst dealing with girls, angry students & teachers, Adam also discovers a mysterious danger that threatens them all… “Drop Bear” is a 30 min independent short film, produced on a low budget around the Glasshouse Mountains, north of Brisbane, QLD. This adventure/ mystery film will be released online at a date TBA, with a feature length project in development, which will be made if the short is well accepted! So please

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Drop Bear – Behind the Scenes (2012)

Brigada-2 "LEGATEE" Trailer

Independent Movie Company (Russian). Alizier Production (USA) Lions Gate (USA) Avangarda Studio (Montenegro) IMDb Official Page: www.imdb.com Ivan is a typical modern young man of 18. His father disappeared 10 years ago. Trying to shake off the pursuing enemies of their father, Belov’s wife and daughter changed their names and settled in the United States. But Alexander Belov’s blood still runs in Ivan’s veins. He wants to prove his financial independence to his mother and gets involved in a dubious stock market speculation. The operation fails and Ivan and his friends are faced with a huge debt. To solve this problem Ivan heads to Russia in order to try selling a small part of his father’s multi-million heritage, but keeps this venture a secret from his mother. His friends Phil, Sydney and Kelly join him in this undertaking. The new rescue plan turned out to be even more dangerous than the prior speculative venture. The main characters get into areal maelstrom of betrayals, pursuits, family secrets and their disclosures and showdowns with both the mob and the Russian secret services. They go through deaths of their comrades, escapes from deadly traps, meetings with new friends and a decisive rescue of Ivan’s mother. As a result, they form the Brigada that is to face new tasks in the changing Russia.

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Brigada-2 "LEGATEE" Trailer

Wayang Kulit, Masterpiece of Java Art Performance

Night in Yogyakarta will feel alive if you miss it by looking at the shadow puppets. The dynamic rhythm of the gamelan blends with the melodious voice sinden will not let you fall in sleepiness. The story that brought the mastermind will bring you go in to be dissolved if one of the characters in the story that was delivered. You will soon realize how great of Javanese culture in the past.

Wayang kulit is performance art that has been aged for more than half a millennium.Appearance has its own story, related to the influx of Javanese Islam. One member of the Wali Songo created by adopting Wayang Beber that developed in the heyday of Hindu-Buddhist. Adoption was done because the puppet already attached to the Java so that it becomes an excellent medium for spreading propaganda of Islam, while Islam forbids visual art form. As a result, created shadow puppets where one can only see shadows.

Leather puppet show performed by a man who would be called the greatest public entertainer in the world. How not, during the night, the mastermind behind the whole character actor plays a leather puppet which represents the puppets made from buffalo leather with decorated motif carving handicraft decoration (carving the skin). He had to change the voice character, changing intonation, issued jokes and even singing. To turn the atmosphere, the puppeteer who is assisted by musicians playing the gamelan and the sinden who sing songs of Java.

Puppet characters in total amounted to hundreds. People not puppets being played is placed in banana stems that are near the mastermind. When played, the puppets will appear as shadows on the white screen in front of the puppeteer. The shadow is created because each puppet show using oil lamps as lighting that helps the puppets being played.

Each leather puppet show or play presents a different story. Variety of play is divided into 4 categories namely grip play, play carangan, play spin-off and the play yard. The play grip has a story based entirely on library puppet plays while in outline only carangan only sourced in puppet library. The play does not stem from the spin-off puppet story but wearing the appropriate places in the library of the puppet, while the play is entirely written by freelance.

Puppet story originated from some old manuscripts such as the Ramayana, Mahabharata, Pustaka Raja Purwa and Purwakanda. Now, there are also books containing the story and essay composition which for hundreds of years has been appreciated by the public Abhimanyu Kerem, Doraweca, Suryatmaja Burglar and so forth. Among all the old books are used, the Book Purwakanda is the most frequently used by puppeteers from the Sultan Palace. Leather puppet show begins when the puppeteer has issued mountains. An all-night wayang performance Yogyakarta style is divided into 3 rounds which has 7 lined (scene) and 7 scenes of war. First round, called pathet lasem, has 3 lined and 2 scenes of war that accompanied gising-gising pathet lasem. Pathet Sanga who became the second half has 2 lined and 2 scenes of war, while the Pathet Manura the third round has 2 lined and 3 scenes of war. One of the most anticipated part of many people at every wayang performance is because of the joke-joke presents typical Java.

Sasono Hinggil located in the northern town of South Square is the most frequent events held all-night wayang performances, usually held every second and fourth week began at 21.00 pm. Other places are Sri Maganti ward located in the Sultan’s Palace. Wayang Kulit in the ward was performed for 2 hours starting at 10:00 am every Saturday with a ticket USD $5.

‘All My Children’ and ‘One Life To Live’ canceled

Susan Lucci

Long-running soap operas All My Children, starring Susan Lucci, and One Life To Live have both been canceled.

ABC TV bosses have opted to replace the beloved daytime dramas with two talk shows as part of a cost-cutting initiative.

All My Children, which premiered in 1970, will end in September, whileOne Life to Live, which debuted in 1968, will end in January.

Both shows have rich histories of giving big stars their break – Ryan Phillippe, Marcia Cross and Tommy Lee Jones got their starts on One Life to Live, while Amanda Seyfried, Sarah Michelle Gellar, Oscar winner Melissa Leo and Josh Duhamel were among the stars who once graced the All My Children cast.

 

ABC ending soaps ‘All My Children’ and ‘One Life to Live’

Succumbing to shifts in audience tastes, ABC is ending two long-running soap operas, ”All My Children” and “One Life to Live,” and replacing them with lower-cost lifestyle shows.

The cancellations, announced Thursday, mark the latest upheaval in daytime network television. Once a dominant source of escapism for tens of millions of women, the genre is losing ground to scores of cable TV networks, the Internet and social media. The move also comes just as two icons of the daytime screen, Oprah Winfrey and Regis Philbin, are getting ready to exit the stage after decades on the air, underscoring the biggest shakeup in daytime in a generation.

All the networks are grappling with what to do with a swath of the TV day that used to be a reliable and lucrative profit center but in recent years has faced increased financial pressure. A little more than a year ago, Walt Disney Co.-owned ABC moved production of “All My Children” to Los Angeles from New York to take advantage of lower production costs.

But ratings for “All My Children” plummeted this season, more than 25%, forcing ABC’s hand.

“You can’t cut costs enough to make up for those losses,” said Brian Frons, president of daytime programming for the Disney ABC Television Group. “There comes a point when you can no longer justify the expense.”

“All My Children,” which premiered in 1970 and tackled once-taboo social topics, including racism, AIDS, lesbian relationships and teenage alcoholism, will finish its run in September. “One Life to Live,” which debuted two years earlier — a few months before Richard Nixon was elected president — will be retired next January. The dramas will be replaced by food-focused and makeover shows, “The Chew” and “The Revolution.”

At one time ubiquitous, only four network soap operas will remain: ”General Hospital” on ABC, “Young and the Restless” and “Bold and the Beautiful,” both on CBS, and “Days of Our Lives” on NBC.

“Soap operas are an expensive way to program a network and unless you have “General Hospital”- or “Young and the Restless”-sized ratings, it’s really not a business,” Frons said.

That’s because, by employing large staffs of writers, producers and crew members and utilizing soundstages that require multiple sets, soap operas cost about $50 million annually to produce, according to industry executives — about 30% more than talk shows.

ABC is only the latest network to retreat from soaps. CBS two years ago canceled ”Guiding Light” and “As the World Turns,” both created by consumer products giant Procter & Gamble Co. to sell soap and other household products.

“When I started writing about soaps in 1999, there were 11 on the air,” said Linda Marshall-Smith, founder of Soapdom, an Internet news site based in Los Angeles. “Now there are going to be four, and the clock is ticking. How much longer are we going to see any soap operas on TV?”

Fifteen years ago, soap operas routinely drew in more than 5 million viewers an episode. Now only CBS’ “Young and the Restless,” produced by Sony Pictures Television, draws such a large audience. “Bold and the Beautiful,” also on CBS, averages about 3 million viewers, according to Nielsen Co. ABC’s “General Hospital” this season has 2.8 million viewers.

This season, “All My Children,” which takes place in the fictional Pine Valley and stars Susan Lucci as the villainous Erica Kane, drew nearly 2.5 million viewers. That’s down from 3.2 million five years ago. “One Life to Live,” set in a Philadelphia-like suburb called Llanview, has drawn an average of 2.6 million viewers this season. Both were created by the doyenne of soaps, 83-year old Agnes Nixon.

As problematic as attracting fewer viewers, the audience for soap operas has become increasingly gray, which does not portend well for growth.

“ABC feels that the soap operas weren’t bringing in as many younger viewers as they have been in the past,” said Jackie Kulesza, a senior vice president at advertising buying agency Starcom. “And for their ratings to grow they are going to need younger viewers coming to the channel.”

More than 30 years ago, ABC’s soaps were among the hottest shows around.

“ABC’s promotional slogan was ‘love in the afternoon,’” Marshall-Smith said. “Their soaps were more hip, and their storytelling style was more youth-oriented — even back in the 1970s. It was hot sex, six-pack abs and people ripping their clothes off, and that really appealed to the college-aged crowd.”

Another strike against the soaps was Disney’s decision to convert its SoapNet cable channel next year to Disney Junior to appeal to preschoolers. Until now, ABC has been able to spread the cost of the soap operas between two channels.

A year ago, Frons said, when ABC executives were projecting the long-term finances of its shows they saw the situation becoming increasingly dicey. “We saw that there were a couple of shows that were not going to be profitable and we said, ‘We’ve got a huge problem,’ ” he said. At that point, the network ordered pilots for possible replacement shows.

Viewers, Frons said, are more interested in upbeat lifestyle and informational shows. For example, ABC’s morning talk show “The View” this season has pulled in some of its best ratings — an average of 3.7 million viewers an episode — second only to the 2008 season that was fueled by interest in the presidential election.

“Advertisers like soap operas — they have a very loyal audience,” said Starcom’s Kulesza. “But there are more ways for advertisers to get involved with a show like “The Chew” than “All My Children.” ABC is able to monetize those advertiser integrations; that way they can get more revenue than just from the 30-second commercial spots in the show.”